Idhar Udhar, an artist trio; creating images, photo-books and learning experiences in visual arts. For us, your work is always put first and not your face or name. We want people to scroll out of the digital space to feel life in the physical and material world. Giving limelight to the un-published artists and creating offline social experiences to engage with art are two main pillars of Idhar Udhar.
Yes, We are materialistic. We are experimental, and humans whom you can meet. We activate lesser known and hyper local spaces through workshops, exhibitions and meetups to start a dialogue around diverse artforms, be it lens-based, audio, experiential or material. For the sake of credibility, the individuals behind Idhar Udhar are not big shot names, but we are giving a shot to our work and making it work.
We have partnered with Museum of Goa, The Registry of Saree and Pulp Society.
Our work is featured in Navhind times, Abhir Pothi & Gomantak Times.
Idhar Udhar are common people
Idhar are common
Chaitali, born in Margao and raised in Sawantwadi, has always been drawn to rural life. Her work explores the intersection and relations of spaces, people and nature. She uses film-making and book making as a medium to express her ideas and stories. Photography has been a lifelong pursuit, deepened through collaborations with Ahmedabad’s theater artists and a personal project on her mother’s dreams.
Common are Udhar
People are Idhar
Preksha, from Aravali, Rajasthan and her work spans documentary, archiving, and analog processes, often exploring themes of land, ecology, economy, gender, and history. She contextualizes concepts through constructed and still-life photography, often using found objects.
Udhar are people
Common people are Idhar Udhar
Purvi, is a type designer and lettering artist from Rajasthan, India. Her practice integrates calligraphy, lettering, and type design, with a strong emphasis on formal structure, linguistic precision, and cultural context. Inspired by street lettering across India, her practice explores contemporary approaches to Indic scripts. She brings a research-driven and craft-oriented approach to developing expressive and contextually rooted visual systems.